especially if you're not exactly sure what constitutes one. Sometimes the hardest part is simply identifying when you do have a flat character on your hands.
But having a flat character or two isn't the end of the world - or even the end of your story! And if you can learn how to turn a two-dimensional character into a three-dimensional one, you'll have a real leg up on all future character creation. An accusation that your characters read like a cardboard cut-outs is like a knife in the heart of any fledgling writer.
“Riddled with flat characters” is perhaps the most damning thing you can hear from an editor or reviewer.
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